First Edition. A tragicomedy. 240 pages. First trade edition (first printing). A very good copy (some stains to the covers and some wear to the silver spine stamping) in a fine dust jacket. This is one of a series of books Crews inscribed to his friend and collector Tom Garner.....

First Edition. Two essays, The Violence That Finds Us and The Buttondown Terror of David Duke, issued in a limited edition of 226 signed copies. This is one of 200 numbered copies bound in black cloth. 38 pages. First edition (first printing). A fine hardcover copy. Signed by Crews on.....

First Thus. Crews' fourth novel in massmarket format described on the cover as "An outlaw band of karate fanatics... a young man and woman locked in a savage and erotic contest." 160 pages. First massmarket edition (first printing, with no later printings noted). A lovely bright copy. Signed by Crews.....

First Edition. Crew's first book, one of 4000 copies, according to the Ahearn Author Price Guide. First edition (first printing). Near fine in a very good dust jacket with a few edge tears. Cloth edges a bit worn and toned, spotting to top of page block. Blue endpapers from a......

First British edition. British edition of this novel. "Car is about a man who, in public and before national TV cameras, will eat a car, eat it, in his own words, 'from bumper to bumper.' He loves the car. And Car is about the love of cars" -- from the.....

First Edition. A novel set in a boarding house in Jacksonville, Florida. First edition (first printing, with a numberline ending in 1). A near fine copy in a near fine dust jacket. Signed by Crews on the title page.

First Edition. A dark comedy about a door-to-door salesman's quest to win the annual sales contest and achieve the American Dream. 268 pages. First edition (first printing with a numberline ending in 1). A fine copy in a fine dust jacket, with a particularly profane (even for Crews) inscription to.....

368 pages. Reproduced from a clean typescript. A fine copy in printed brown wrappers. Uncommon in this format. Inscribed by Crews, "To Phil May, all best, Harry Crews. Gainesville, Flor." The recipient is probably the TV producer and film historian of that name.