A 320-page catalog of more than 300 handmade books from Ediciones Vigía, Cuadernos Papiro, and Ediciones El Fortín over the last 30 years.
Short videos of individual books are available on my YouTube Channel.
Ediciones Vigía
Of the three publishers, Ediciones Vigía is the oldest—established in 1985 by Alfredo Zaldívar and Rolando Estévez—and the best known inside and outside of Cuba. It has been the subject of exhibitions in many countries and even a monograph in the US, the recently released Handmade in Cuba.
Estévez, a set designer by profession, established the design aesthetic for Vigía. A large group of writers, artists, and artisans in the Vigía circle collaborate to publish hundreds of individually designed, and hand assembled books.
Typically, one artist creates a maquette for a book and then a group of artisans will figure out how to replicate the design 200 times. Most early Vigía books had print runs of 100 and later 200 copies, because that was as many as it was possible to produce before the mimeograph masters wore out, a tradition that continued after new printing technology was acquired.
While Ediciones Vigía has published many well-known writers from Europe and the Americas, it has retained its focus on the community of writers in and around Matanzas. Few publishers anywhere have produced so many literary books by regional writers and Vigía’s local emphasis is unparalleled among the makers of artist’s books.
In the post-Estévez era, several designers who once worked alongside him have begun to shape a new Vigía aesthetic, notably Elizabeth Valero Molina, Frank David Valdés, Adrián Milián Suárez, Marialva Ríos, and Johann E. Trujillo.
Ediciones El Fortín
Ediciones El Fortín is a spinoff of Vigía, founded by Estévez in 2014. This new Matanzas imprint claims to be based in “Bellamar”, which means “lovely sea.” Bellamar is intended to counter the violence implied by naming a city Matanzas, which might be translated as “Murderville.”. El Fortín produces books in small numbers, usually fewer than 50 copies, with elaborate structures and packaging. While Fortín books are much closer to Estévez’s one-of-a-kind book-art pieces than the typical Vigía title, they also make extensive use of Vigía-style handcoloring and paper and fabric collage.
Cuadernos Papiro
Cuadernos Papiro started as a papermaking collective in 1994 and began publishing books in 2001 under the direction of Tatiana Zúñiga Góngora and Manuel Arias Silveira. The press is in Holguín, on the opposite end of the island from Havana. Cuadernos Papiro (whose name translates as papyrus notebooks or papyrus quartos) makes all its own paper from recycled materials. Its founders obtained a linotype machine so they could print all their books with lead type. A dedication to obsolete equipment is central to Papiro’s vision. Most of Papiro’s books are illustrated with relief prints, most often linocuts and collagraphs.
85 pages. 7 by 9-1/4 inches. One of 200 copies. Colección Trébol. Short prose pieces, photocopied onto white paper. Illustrated and designed by Frank David Valdés, with some spots of handcoloring and collage additions. OCLC: BLSTP BNCJM CGU CUY CWR DRB EEM EYM FHM FQG FRAFQ FXG GZM HLS HUL KFS NOC.....
91 pages. 6 by 11 inches. One of 200 copies. Colección Aforos. A play about baseball by an award-winning playwright from Matanzas. Designed and illustrated by Frank David Valdés with handcolored line drawings, collages, and a pop-up figure. A pleasing book. OCLC: BNCJM DEIAI DRB ESAEC FHM FQG FRAFQ FXG GZM.....
22, 18 pages. 6-1/2 by 9 inches. One of 200 copies. Colección Aforos. A pair of plays, bound dos-a-dos, both were winners of the Premio Virgilio Piñera de Dramaturgia (a playwriting prize). The text is mimeographed from a dense typescript on brown Kraft paper. Illustrated with mimeographs of line drawings by.....
115 pages. 6-1/2 by 9 inches. An edition of 200 copies. Colección Trébol. A collection of folktales, designed and illustrated by Manuel Hernández. The text and illustrations are photocopied onto brown paper and the covers are decorated with collages made from paper and cardboard. OCLC: BNCJM COO CRU CUI CUZ DEIAI DLC.....
31 pages. 10 by 8 inches (oblong). One of 200 copies. Colección Barquitos. Short prose pieces illustrated by two children, David and Alejandro Pedrosa, with design and additional illustrations by Marialva Ríos. The covers are collaged paper with handcolored cutouts. OCLC: DEIAI FHM FQG HLS HUL IQU IUL LRU NDD NUI.....
60 pages. 6-1/2 by 10 inches. An edition of 200 copies. Colección del Estero. Poems, designed by Marialva Ríos with illustrations of leaves made from paper collage. The author is a prize-winning Cuban-American poet and translator who is currently a professor at Kenyon College, in Ohio. Each copy is signed by the.....
12 leaves, mimeographed on one side only. 7-1/4 by 5-1/2 inches (oblong). One of 100 copies. Colección del San Juan. A chapbook of poems designed and illustrated by Yovani Bauta. Introduction by Heriberto Hernández Medina. OCLC: FQG. Near fine stapled into thin cardstock covers, with a thin-paper dust jacket illustrated with collage.....
74 pages. 6-3/4 by 9-1/4 inches. One of 200 copies. Colección del San Juan. A collection of poems digitally printed on Kraft paper. The cover is a collage of paper and leather scraps. Designed and illustrated by Ivet Báez Andux. OCLC: BNCJM CLU CRU CUI DEIAI DEUEN DRB EEM EYM FQG FXG.....
Pergamino (a single sheet that unfolds into six panels), with mounted text and illustrations. 4-1/2 by 10-1/2 inches. One of 200 copies. Colección del San Juan. This book includes three sonnets by Rodríguez Santana, each beginning with the first line of a Pedro Salinas poem. Designed by Maytelis Avila Leyva. OCLC: BNCJM.....
19 pages. 6 by 8 inches. An edition of 200 copies. Colección del San Juan. A collection of poems photocopied from computer typescript onto white paper. Illustrated with handcolored line drawings by Manuel Darío García. The stiff paper covers reproduce dense ink drawings with spots of handcoloring and a coating of.....
59 pages. 10-1/4 by 5-3/4 inches, plus outcrops. An edition of 200 copies. Colección del Venablos. An historical essay on José Martí's Manifiesto de Montecristi: El Partido Revolucionario Cubano a Cuba and his pro-independence activism in the United States at the end of the 19th century. The text is presented in.....
25 pages. 6-3/4 by 8-3/4 inches. An edition of 200 copies. Colección del San Juan. Poems, designed and illustrated by Sandra García Cabrera. The text and illustrations are photocopied onto white paper. The title and publisher information on the covers are affixed to strings and shift as the book is moved. OCLC.....
A pergamino (folded broadside) photocopied from a calligraphy manuscript by Rolando Estévez. 8 by 22 inches unfolded, in an 8 by 4-inch shaped folder. One of 200 copies. A Christmas poem issued in a paper container in the shape of the baby Jesus in swaddling clothes, which is decorated with various.....
Pergamino (folded broadside). 7 by 26 inches, folded to 7 by 7 inches. With a cord for hanging and a wrap-around band. An edition of 200 signed copies. A poem, assembled from several mimeographed sheets of papel de estraza (made from sugarcane waste). Designed and illustrated by Hiram Aguiar Hernández de.....
195 pages. 7-1/4 by 10 inches. One of 200 copies. Colección Aniversario. An anthology of poems, photocopied on white paper. Illustrated by Sigfredo Ariel. OCLC: AZS BLSTP BNCJM CLU CSL CUT DEIAI DRB EEM EYM FHM FXG IQU NOC NYP UCW UIU UMK. Near fine.
92 pages. 8 by 11-1/2 inches in an 11-1/2 by 14-1/2 inch handmade paper bag decorated with collage elements. Colección Puente de la Concordia. An edition of 50 copies. A collection of poems by Cuban women. The typeset text pages are reproduced by photocopy. Several leaves have handcoloring and collage elements.....
92 pages (printed primarily on the odd pages). 6-1/2 by 8-3/4 inches. One of 200 copies. Colección Venablos. A survey of the French influence on Matanzas, mimeographed from typescript on low-grade off-white paper, with illustrations printed on Kraft paper. Additional illustrations and elements on the cover are photocopied reproductions of illustrations.....
53 pages, printed on odd-numbered pages. 7-1/4 by 9-3/4 inches. One of 200 copies. Colección Venablos. An essay, printed on a dot-matrix printer, about Medardo Vitier, a writer from Matanzas who was the father of Cintio Vitier. The text is illustrated with digital reproductions of old photographs and illustrations. Designed.....
107 pages on 56 leaves, most printed on one side only, equivalent to about 64 pages of text. 7 by 8-1/2 inches. An edition of 200 copies. Colección Venablos. A book on the Italian influence in Matanzas, designed and illustrated by Rolando Estévez, who took inspiration from the Teatro Sauto.....
36 pages. 7 by 10-1/2 inches. One of 200 copies. Colección Venablos. Three essays about the actor Sarah Bernhardt in Cuba, published in conjunction with the city historian of Matanzas. Photocopied on various types of paper. Designed and illustrated by Enrique Ramos Vargas with reproductions of photographs of Bernhardt. OCLC: BNCJM C$E.....
32 pages. 6-1/2 by 7 inches. An edition of 200 copies. Colección Andante. A collection of poems (or songs) for children, designed and illustrated by Adrián Milián Suárez with handcolored and collage illustrations. The cover design incorporates a life preserver made from cardboard and string. The life preservers vary in color.....
Fifteen booklets, 5-7/8 by 8-5/8 inches, with a cover sheet, laid into a box made of cardboard covered with decorated paper. An edition of 200 copies. Colección Trébol. This work consists of short stories, in Spanish, by fourteen writers of Jewish or Arab descent, each printed as a separate chapbook. The.....
50 pages. 6 by 8-3/8 inches. An edition of 200 copies. A collection of Catalan recipes with Spanish translations on the facing page. This cookbook was published in cooperation with the Universidad de Lleida, in Catalunya, Spain. The book was designed and illustrated by Niusha H. M., who designed a......
Pergamino (folded broadside). 7 by 34 inches, unfolded. Edition size not noted. [Colección Clásicos]. This pergamino has three sections, the title, illuminated with white and yellow paint; the text of the poem, mimeographed from typescript in the center; and an image of an angel at the bottom. The design is by.....
175 pages. 7 by 9-1/2 inches. One of 200 copies. Colección Trébol. Introduction by Zaida Capote Cruz. Translated from the Italian by Dulce María Loynaz. This is a Spanish translation of the Italian novel Ella non rispose (1914), which Loynaz worked on between 1938 and 1941 and left unpublished at her.....