In Histoire d’oublier (“A Story of Forgetting”), Emilia Faure (1924–?) constructs a tactile meditation on memory and erasure. The work unfolds across 26 hand-assembled fascicles, enclosed within the modified covers of Louis Dimier’s 1926 "Histoire de la peinture française ...1627 à 1690." Faure deliberately incorporates the history of French art.....

First Edition. An essential Dada publication from Kurt Schwitters, who founded a one-person Dada-adjacent movement dubbed Merz, a nonsense word coined to refer to collages made from found materials or, perhaps, art from commerce. The collage that gave name to the movement is lost; the word, reproduced here on the.....

A complex book-object designed by Estévez and Laura Ruiz Montes in tribute to the singer Edith Piaf. The text is a long poem Estévez in Spanish and French translation. The poem is digitally printed on many sheets assembled into two long, side-by-side fold-outs affixed to facing pages of the book.....

A poem, inspired by the author's trip to Mexico, bound in cardboard covers decorated with a handcolored portrait of the artist Frida Kahlo with a mounted artist's paint brush. The text of the poem is laser printed on white paper. The book, designed by the author, has handcolored and collage.....

[32] pages plus an illustrated pergamino. 6-1/2 by 13-1/2 inches. Edition of 40 copies. Colección Puente de Hierro. Poems in Spanish and French translation. Text laserprinted. The book has collage illustrations at the front and back, and long fold-out strips attached to the cover flaps which reveal the name of.....

11 sheets, 6-3/4 by 11-3/4 inches, in a 12-1/2 by 11 inches. Published in an edition of 100 copies. Each sheet offers a traditional Cuban recipe printed letterpress on handmade paper. The recipes are inserted into a shaped folder reminiscent of a basket with a thick string handle, a mounted.....

One page (folding). 7-1/2 by 4-1/2 inches. Edition of 50 copies. Published October 11, 2014, soon after Rolando Estévez left Ediciones Vigía to form Ediciones El Fortín. The book is a single poem, reproducing Estévez's calligraphy on white paper. The text sheet is folded several times. The book is illustrated.....

49 pages plus index and colophon leaves. 8-1/2 by 11 inches. Edition of 200 numbered copies. Colección del Estero series. Stapled pages glued into stiff wrappers that fold around the spine and fore-edge to meet in the middle of the front cover. The cover includes a collaged heart design that.....

As the title suggests, a single-page mimeographed poem illustrated from drawings by Sigfredo Ariel. The cover design is a pasted-on mimeographed illustration with a hand-drawn border. [3] leaves. 6-1/2 by 6-1/4 inches. An edition of 100 copies. Colección del San Juan. OCLC: 41256442. The upper left corner of the front.....

4 pages (a single, folded sheet) in an envelope. 4 by 5-1/2 inches. The edition size is not stated, but it was perhaps as small as 10 copies. A chapbook with a single short poem, in English and Spanish translation, designed by the author. The poem, titled "The Angel and.....

Poems selected from Al sur de mi garganta, Las sílabas y el tiempo, Desaparece el polvo, Calzada de Tirry 81, and Los huesos alumbrados./ Foreword by Laura Ruiz./ "Edición especial por el cumpleaños 80 de la poetisa."/ Part of a collection of handmade chapbooks, many with cords for hanging (literatura.....

Largest dimensions, 13-3/4 by 8 inches. Published in an edition of 100 copies. 12 leaves, including covers, of die-cut handmade papers, including sheets made with flower petals, garlic leaves, recycled newspapers, and the hair of Leticia Leyve Azze, the designer. One of the sheets is marbled, another blind-embossed, and a......

8-1/4 by 10-1/2 inches. 22 leaves. Edition of 100 copies. A remarkable artist's book that embodies censorship. This book won the UNEAC prize for poetry in 1968 while still in manuscript. Immediately upon publication, the book was banned and virtually the entire edition was pulped (Worldcat records no copies of.....